Fraser Watson

Moving marks


My interest in expressive calligraphy is primarily an attraction to the visual communication of gestural, handwritten marks. The spirit behind calligraphic marks is not to simply copy an existing letterform or typeface. It is about the meaning that can be expressed in writing beyond what is inherent in the words themselves. Using the power of gesture and line, calligraphy can convey something emotional as well as physical.


Expressive calligraphy can be a stand-alone artwork. When combined with other design elements it has the potential to form part of a visual system and be adapted for a range of media. 

Writing

Pen and Chinese ink on coated paper

The UK year of literature and writing

Spread from festival literature forming part of a visual system to promote 12 months of high-profile events across Wales


Alphabet (No. 1)

Pen and Chinese ink on uncoated paper

Alphabet (No. 2)

Pen and Chinese ink on coated paper

Alphabet (No. 3)

Human society, the world, and the whole of mankind is to be found in the alphabet.

Victor Hugo

Celebrate

Pen and Chinese ink on coated paper

Joy (No. 1)

Pen and Chinese ink on coated paper

Joy (No. 2)

The more I have known you the more have I lov’d.

From a John Keats letter to Fanny Brawne

Macbeth

Brush and Chinese ink on uncoated paper

Jazz

Pen and Chinese ink on uncoated paper

The Jazz Festival Soho

Design visuals

The hand and the eye and the mind

Pen and Parker Quink on uncoated paper

Just walk beside me (No. 1)

Pen and Chinese ink on coated paper

Just walk beside me (No. 2)

Dont walk in front of me, I may not follow. Don’t walk behind me, I may not lead. Just walk beside me and be my friend.

Albert Camus